“Holy kleenex Batman, it was right under our noses and we blew it.” I came of age with Adam West’s Batman on TV and a relatively sane Batman in the comic books. Batman was a sort of urban cowboy: a loner, but a law-abiding, honest loner. A proud American who was polite to the police and to the ordinary citizen. He was both good, and “nice.” Back then, as today, no one died by the hand of Batman, but that was largely because he worked with the police who made the final arrests

More recent Batmen have been not nice, and arguably not good either. They do not work with the police but act above the law. Their ethos is not from US civics class, but from dark training in eastern monasteries by masters of kung fu. It’s a morality no one quite understands, not least himself. Quite literally, ‘He is a dark and stormy knight.’

A few days ago, I found this plastic Batman-Buddah for sale on e-Bay and I started wondering about how far our current movie Batmen have moved from those of the 60s. And on the deep, Zen thoughts that Batman now expounds on life and crime. These zen thoughts are pretty messed up, as psychologists have noted.

Example. In a recent Batman movie, Batman beats up an invasive wannabe wearing hockey pads. He gets asked: “What gives you the right? What’s the difference between you and me?” The response, “I’m not wearing hockey pads.” This is to say, the current Batman believe his physical prowess makes him above the law. Some more comments:
“Sometimes it’s only madness that makes us what we are.”
“That mask — it’s not to hide who I am, but to create what I am.”
“I won’t kill you, but I don’t have to save you.”

When he speaks to the Joker, it’s not clear which one is crazier. E.g.. Batman tells the Joker that he doesn’t kill because, “If you kill a killer, the number of killers remains the same.” To which Joker replies: “Unless you kill more than one….” That sounds sane to me.

By contrast. consider Adam West as Batman in the 1960s: “Underneath this garb, we’re perfectly ordinary Americans.” Another quote: “A reporter’s lot is not easy, making exciting stories out of plain, average, ordinary people like Robin and me.” Though this comment is “off” it’s nice to see that this Batman feels for peoples’ problems, respects their professions, and does not profess to be better than they are. He’s weird, but not a psychopath, and he leaves Gotham city pretty much the way you find it at the beginning of a comic or episode.

Not a classic Batmobile, but I like it. Adam West’s Batman always strove to be socially responsible. 

By contrast, the current, dark, depressive Batmen always leave Gotham City in shambles, with piles of dead and destroyed buildings and infrastructure. Given the damage Batman does, you wonder why anyone calls for Batman; current Batmen never works with the police, quite.

And where’s Robin. To the extent that Robin appears at all, his relationship with Batman is more frenemy than ally. Batgirl too is mostly absent, and has changed. The original Batgirl was connected to the police. She was Barbara Gordon, Police Commissioner Gordon’s daughter, a positive female with a good relationship with her supportive, non-sexist father (an early version of Kim Possible’s dad) and with society as a whole. The current Batgirl appears is the butler’s daughter, and except for one brief appearance, you never see her, not at Wayne Manor, not anywhere. Somehow she’s Batgirl though it’s presented that didn’t know what her dad was up to.

Here are some real interactions between Adam West as Batman with Robin. He shows an interest in Robin’s education and well-being, something currently lacking:

AW Batman: “Haven’t you noticed how we always escape the vicious ensnarements of our enemies?” Robin: “Yeah, because we’re smarter than they are!”  Batman: “I like to think it’s because our hearts are pure.”

AW Batman: “Better put 5 cents in the meter.” Robin: “No policeman’s going to give the Batmobile a ticket.” Batman: “This money goes to building better roads. We all must do our part.”

Robin: “You can’t get away from Batman that easy!” AW Batman: “Easily.” Robin: “Easily.”
“Good grammar is essential, Robin.” Robin: “Thank you.” Batman: “You’re welcome.”

Robin/Dick: “What’s so important about Chopin?” Batman: “All music is important, Dick. It’s the universal language. One of our best hopes for the eventual realization of the brotherhood of man.” Dick: “Gosh Bruce, yes, you’re right. I’ll practice harder from now on.”

AW Batman: “That’s one trouble with dual identities, Robin. Dual responsibilities.”

“Even crime fighters must eat. And especially you. You’re a growing boy and you need your nutrition.”

“What took you so long, Batgirl?” Batgirl: “Rush hour traffic, plus all the lights were against me. And you wouldn’t want me to speed, would you?” Robin: “Your good driving habits almost cost us our lives!” Batman: “Rules are rules, Robin. But you do have a point.”

And finally, AW Batman: “I think you should acquire a taste for opera, Robin, as one does for poetry and olives.”

Clearly this Batman takes an interest in Robin’s health and education, and in Batgirl’s. Robin is his ward, after all, a foster child. And Batgirl is a protege, as well as the daughter of a friend.

The modern Batman claims, “It’s not who I am underneath, but what I do that defines me.” It’s, more or less, a quote from Karl Jung that shows pride in one’s art, but it also shows an attachment to job over self. This approach appeared in the olden days, in the form of Catwoman, a woman with her own moral code, and proud of it. Batman found her odious, abhorrent, and “insegrievious”. The only difference between her and the Joker, he says, is the amount of damage done. I’m sorry to find that recent, Zen Batmen and Supermen might as well be Cat-women, or Jokers. To quote Robin: “Holy strawberries, Batman, we’re in a jam.”

Robert Buxbaum, June 26, 2017. Insegeivious is a made-up word, and I love it. I also love the humor of Robin’s “holy xxx” comments.