In a previous post, I detailed my calculations concerning the color of the sky and sun. Basically the sun gives off light mostly in the yellow to green range, with fairly little red or purple. A lot of the blue and green wavelengths scatter leaving the sun looking yellow because yellow looks yellow and the red plus blue also looks yellow because of additive color.
If you look at the sky through a spectroscope, it’s pretty blue with some green. Sky blue involves a bit of an eye trick of additive color so that we see the scattered blue + green as sky blue and not aqua. At sundown, the sun becomes reddish and the majority of the sky becomes greenish-grey as more green and yellow light gets scattered. The sky near the sun is orange as the atmosphere is thick enough to scatter orange, while the blue and green scatters out.
Now, to talk about the color of the sky on Mars, both at noon and at sunset. Except for the effect of the red color of the dust on Mars I would expect the sky to be blue on Mars, just like on earth but a lighter shade of blue as the atmosphere is thinner. When you add some red from the dust, one would expect the sky to be grey. That is, I would expect to find a simple combination of a base of sky blue (blue plus green), plus some extra red-orange light scattered from the Martian dust. In additive colors, the combination of blue-green and red-orange is grey, so that’s the color I’d expect the Martian sky to be normally. Some photos of the Martian sky match this expectation; see below. My guess is this is on a day when there was not much dust in the air, though NASA provides no details here.
On some days (high dust days, I assume), the Martian sky is turns a shade of yellow-green. I’d guess that’s because the red-dust absorbs the blue and some of the green spectrum, but does not actually add red. We are thus involved with subtractive color and, in subtractive color orange plus blue-green = butterscotch, not grey or pink.
I now present a photo of the Martian sky at sunset. This is something really peculiar that I would not have expected ahead of time, but think I can explain now that I see it. The sky looks yellow in general, like in the photo above, but blue around the sun. I could explain this picture by saying that the blue and green of the Martian sky is being scattered by the Martian air (CO2, mostly), just like our atmosphere scatters these colors on earth; the sky near the sun looks blue, not red-orange because the Martian atmosphere is thinner (at noon there is less air to scatter light, but at sun-down the atmosphere is the same thickness as ours, more or less). The red of the dust does not show up in the sky color near the sun since the red-color is back scattered near the sun, and not front scattered. The Martian sky is yellow elsewhere where there is some front scatter of the reddish light reflecting off of the dust. This sounds plausible to me; tell me what you think.
As an aside, while I have long understood there was an experimental difference between subtractive and additive color, I have never quite understood why this should be so. Why is it that subtractive color combinations are different, and uniformly different from additive color combinations. I’d have thought you’d get more-or-less the same color if you remove red from one part of a piece of paper and remove blue from another as if you add red, purple, and yellow. A mental model I have (perhaps wrong) is that subtractive color looks like it does because of the details of the spectral absorption of the particular pigment chemicals that are typically used. Based on this model, I expect to find someday some new red and green pigments where the combination looks yellow when mixed on a page. I’ve not found it yet, but that’s my expectation — perhaps you know of a really good explanation for why additive color is so different from subtractive color.
For the sake of leaving no scientific question unanswered, subtractive colour works different because it’s actually removing pigments from those available. A texture of red is only red because it’s ‘removing’ the green and blue pigments of light, leaving only red. This means combining subtractive colours will always darken and tend towards black.
Combining red & green paint indeed creates brown, a darker form of yellow: http://www.dgallup.com/uploads/2/6/6/9/26694994/6295944.jpg?378
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