Tag Archives: boys

School violence and the prepositional subjective

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There is a new specialty in the law, both in prosecution and defense: dealing with possible school shooters and other possible purveyors of violence. Making threats of violence has always been a felony — it’s a form of assault. But we’ve recently extended this assault charge to those student who make statements to the effect that they might like to commit violence, a conditional subjunctive statement of assault. This finer net manages to catch, in Michigan alone, about 100 per month. That’s a large number. Mostly they are male high-school age students who shot off their mouth, kids caught for saying “I’ll kill you” often in an argument, or following one. They are arrested for protection of others, but the numbers are so high and the charge so major, 15 – 20 year felonies, it’s possible that the cure is worse than the disease.

Eight students of the 100 charged in the last month in crimes of potential violence.

Putting some faces to the crime. Eight of the 100 charged in Michigan in the last month for potential violence. All or most are boys. 

Several of the cases are described in this recent Free-Press article, along with the picture at right. According to the article, many of those charged, are sentenced to lower crimes than the 15 -20 maximum, things like reckless endangerment. Many, the majority, I hope — they are not mentioned in the article — are let go with a warning. But even there, one wonder if these are the richer, white ones. In any case, it’s clear that many are not let go and have their lives ruined because they might come to commit a crime.

Let’s consider one case in-depth, outcome unknown: A top high school student, skinny, but without many friends, who gets picked on regularly. One day, one of the more popular kids in school calls him out and says, “You look like you’re one of those school shooters.” The loner responds, “If I were a school shooter, you’d be the first I’d shoot.” And that’s enough to ruin the kid’s life. Straight to the principal, and then to the police. The ACLU has not seen to get involved as there are competing rights at play: the right of the loner to have a normal education, and the rights of the other students. One thing that bothers me is that this crime hangs on the conditional subjunctive:  “If I were…., then you would be…”

What makes the threat subjective is that “I’ll kill you” or “I’d shoot you first” is something you’d like to be true at some time in the indefinite future. There is no clear time line or weapon, just a vague desire that the person should be shot. It’s a desire that more-likely than not, is a fleeting hyperbole, and not an actual threat. What makes the threat conditional on the person has yet to decide to show up with a weapon or show any sign of doing violence: “If I were to become a school shooter.”

The person who drew this faces 15 years in prison. The only evidence is this picture.

The person who drew this faces 15 years in prison. The only evidence of a threat is this picture.

It did not used to be that either the conditional or the subjunctive were considered threats. A person was assumed to be blowing off steam if he (or she) said “I’d like to see you dead” or even “I’ll kill you.” And we certainly never bothered folks who prefaced it with, “If I were a …” In theory, we had to extend the law to protect the weak from a shooter, but we’ve also put a weapon in the hands of the schoolyard bully. The school bully can now ruin the life of his fellow by accusing him of being a potential school scooter. We’ve weaponized the conditional subjunctive, and I don’t like it. The boy who drew the picture at right was charged with a 15 year felony for drawing something that, in earlier generations, would be called a fantasy picture.

It bothers me is that the majority of those charged — perhaps all those charged — are boys. Generally these boys are doing things that normal boys have often done. The picture of a shooting is considered a written threat of violence, but to me it looks like a normal boy picture. Girls have not been caught, so far, perhaps because their words and pictures are more “girly” so their threats are not considered threats. Sometimes is seems that it is boy-behaviors themselves are being criminalized, or at minimum diagnosed as ADHD (crazy). There is so much we don’t like about boy-behaviors, and we’ve elevated the female to such an extent, that we may have lost the positive idea of what a male should be. We want boys to be “girly” or at least “trans,” and that’s not normal in the sense that it’s not normative. We’ve come to worry about boyness, creating a cure that may be worse than the harm we are trying to prevent.

Robert Buxbaum, May 7, 2018. I’ve also noted how bizarre US sex laws are, and have written about pirates and transgender grammar.

Gomez Addams, positive male role-model

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The Addams Family did well on Broadway, in the movies, and on TV, but got predictably bad reviews in all three forms. Ordinary people like it; critics did not. Something I like about the series that critics didn’t appreciate is that Gomez is the only positive father character I can think of since the days of “Father knows best”.

Gomez is sexual, and sensual; a pursuer and lover, but not a predator.

Gomez is sexual, and sensual; a pursuer and lover, but not a predator.

In most family shows the father isn’t present at all, or if he appears, he’s violent or and idiot. He’s in prison, or in trouble with the law, regularly insulted by his wife and neighbors, in comedies, he’s sexually ambiguous, insulted by his children, and often insulted by talking pets too. In Star Wars, the only father figures are Vader, a distant menace, and Luke who’s just distant. In American shows, the parents are often shown as divorced; the children are reared by the mother with help of a nanny, a grandparent, or a butler. In Japanese works, I hardly see a parent. By contrast, Gomez is present, center stage. He’s not only involved, he’s the respected leader of his clan. If he’s odd, it’s the odd of a devoted father and husband who comfortable with himself and does not care to impress others. It’s the outsiders, the visitors, who we find have family problems, generally caused by a desire to look perfect.

Gomez is hot-blooded, sexual and sensual, but he’s not a predator, or violent. He’s loved by his wife, happy with his children, happy with his life, and happy with himself. As best we can tell, he’s on good-enough terms with the milk man, the newspaper boy, and the law. Though not a stick-in-the-mud, he’s on excellent terms with the rest of the Addams clan, and he’s good with the servants: Lurch, Thing, and for a while a gorilla who served as maid (none too well). One could do worse than to admire a person who maintains a balance like that between the personal, the family, the servants, and the community.

On a personal level, Gomez is honest, kind, generous, loving, and involved. He has hobbies, and his hobbies are manly: fencing, chess, dancing, stocks, music, and yoga. He reads the newspaper and smokes a cigar, but is not addicted to either. He plays with model trains too, an activity he shares with his son. Father and son enjoy blowing up the train — it’s something kids used to do in the era of firecrackers. Gomez is not ashamed to do it, and approves when his son does.

Gomez Addams, in the Addams Family Musical, gives advice and comfort to his daughter who is going through a rough stretch of relationship with a young man, and sings that he’s happy and sad.

Other TV and movie dads have less – attractive hobbies: football watching and beer-drinking, primarily. Han Solo is a smuggler, though he does not seem to need the money. TV dads take little interest in their kids, and their kids return the favor. To the extent that TV dads take an interest, it’s to disapprove, George Costanza’s dad, for example. Gomez is actively interested and is asked for advice regularly. In the video below, he provides touching comfort and advice to his daughter while acknowledging her pain, and telling her how proud he is of her. Kids need to hear that from a dad. No other TV dad gives approval like this; virtually no other male does. They are there as props, I think, for strong females and strong children.

The things that critics dislike, or don’t understand, as best I can tell, is the humor, based as it is on danger and dance. Critics hate humor in general (How many “best picture” Oscars go to comedies?)  Critics fear pointless danger, and disapproval, and law suits, and second-hand-smoke. They are the guardians of correct thinking — just the thinking that Gomez and the show ridicules. Gomez lives happily in the real world of today, but courts danger, death, law suits. He smokes and dances and does not worry what the neighbors think. He tries dangerous things and does not always succeed, but then lets his kids try the same. He dances with enthusiasm. I find his dancing and fearlessness healthier than the over-protective self-sacrifice that critics seem to favor in heroes. To the extent that they tolerate fictional violence, they require the hero to swooping, protecting others at danger to themselves only, while the others look on (or don’t). The normal people are presented as cautious, fearful, and passive. Cold, in a word, and we raise kids to be the same. Cold fear is a paralyzing thing in children and adults; it often brings about the very damage that one tries to avoid.

Gomez is hot: active, happy, and fearless. This heat.– this passion — is what makes Gomez a better male role model than Batman, say. Batman is just miserable, or the current versions are. Ms. Frizzle (magic school bus) is the only other TV character who is happy to let others take risks, but Ms Frizzle is female. Gomez’s thinks the best of those who come to visit, but we see they usually don’t deserve it. Sometimes they do, and this provides touching moments. Gomez is true to his wife and passionate, most others are not. Gomez kisses his wife, dances with her, and compliments her. Outsiders don’t dance, and snap at their wives; they are motivated by money, status, and acceptability. Gomez is motivated by life itself (and death). The outsiders fear anything dangerous or strange; they are cold inside and suffer as a result. Gomez is hot-blooded and alive: as a lover, a dancer, a fencer, a stock trader, an animal trainer, and a collector. He is the only father with a mustache, a sign of particular masculinity — virtually the only man with a mustache.

Gomez has a quiet, polite and decent side too, but it’s a gallant version, a masculine heterosexual version. He’s virtually the only decent man who enjoys life, or for that matter is shown to kiss his wife with more than a peck. In TV or movies, when you see a decent, sensitive, or polite man, he is asexual or homosexual. He is generally unmarried, sometimes divorced, and almost always sad — searching for himself. I’m not sure such people are positive role models for the a-sexual, but they don’t present a lifestyle most would want to follow. Gomez is decent, happy, and motivated; he loves his life and loves his wife, even to death, and kisses with abandon. My advice: be alive like Gomez, don’t be like the dead, cold, visitors and critics.

Robert Buxbaum, December 22, 2017.  Some years ago, I gave advice to my daughter as she turned 16. I’ve also written about Superman, Hamilton, and Burr; about Military heroes and Jack Kelly.