I learned a lot about social interactions from a comic of my youth called “Archie“. A very popular comic for 65 years, from 1941 through the 2010s, the social structure of Archie remained remarkably constant from when I first read it, in the early 60’s to when I read it to my children in the late 90’s. The comic mostly follows the title character, a love struck teenager with two (or more) gorgeous girlfriends, shown below, and his various relationships. I find the original stories to have been hyper-true, that is more true than truth. There are also several spin-offs, including a TV series, “Riverdale“, and an underground comic “Anarchie“. Both have a degree of charm, but the original stands out for it’s wide readership and long run; clearly, it resonated. Riverdale is a far grittier take, further from hyper-reality.
In Archie comics, the poorer folks worked, as in real life, at relatively dull jobs. Their parents do too, and the poorer kids are visible poorer. Archie always wore the same clothes and drives (or drove) a junker car. The few rich folks do not work in the same way, as one might expect. In the TV series, and in most TV series’s, everyone has food, friends and a car, without any serious jobs, and little social hierarchy. It’s an ideal world of sorts, but somehow everyone’s messed up.
In the old time comic, one rich character in particular, Reggie Mantle, like to flaunt his wealth and make fun of Archie and his proletarian friend, Jughead. The comic book Veronica was also something of a bitch. Her dad, while occasionally charming, could be a bully as well. He certainly displayed, and benefitted from his exceptional wealth. Meanwhile, in the comic at least, while all the poorer folks worked (except Jughead), not all of them did a good job, most of those who worked did not enjoy it. There was humor in this engaging, realistic take on life.
The school lunch lady, Miss Beasley, was relatable in her extreme dislike for her job. What pleasure she gets, seems to come from making and serving bad food. Though the details of her employment are scarce, my guess was that she was unionized. Otherwise, she would have been fired years ago. There is no similar character in TV’s Riverdale.
The principal, Mr. Weatherbee, also seemed to have trouble with his job, though his relationships were more nuanced. He takes his job seriously and runs an effective school, but he’s overweight, and over-stressed — a walking heart attack. Unlike most of the people at the school, “the bee” does not take out his anger on the kids, or on his fellow faculty. He keeps it in, while tormented by the students, by the parents, by the janitor, Svenson, and in particular by Mr. Flootsnoot, the science teacher. Flootsnoot seems to delight in causing trouble, giving Archie explosives, acid, and animals. My guess is that Flootsnoot is angling for Weatherby’s job, and is not patient enough to wait for Weatherbee’s heart to give out on its own. He’s a character right out of Hitchcock, IMHO.
Ms Grundy, Archie’s teacher was also drawn a victim of playing by the rules in a crooked game. In the original comic, as i read it in the mid 60s, she’s a puritan spinster in a black dress with a tall, laced collar. She seems to dislike Archie and Jughead, but not the other kids, nor her job as such. It makes sense that she’d dislike Archie and Jughead, since Jughead is lazy, and Archie is a skirt chasing cad. By the 90’s when I read Archie with my daughters, Miss Grundy had become a Ms, and was more at peace with her position, and a lot of the humor is gone. In the TV version, Riverdale, Ms Grundy, is in a sexual relationship with Archie. It’s a lot less healthy, and not very humorous.
The main focus, of course is Archie, a workin-class teen, and straight D student. How does he have two (or more) gorgeous girlfriends? After a few years of reading, the explanation becomes obvious, and fairly depressing. Each of his many girlfriends are motivated by jealousy for the others. His first girl is Betty. She’s pretty, poor, hard-working, and a doormat. She’s always there to help out. She is treated like dirt by her richer, “best friend,” Veronica. As best I can tell, Veronica and the others mostly like Archie because Betty does. To some extent Veronica also likes to annoy her rich dad, who is portrayed as confident and proud, except when dealing with his spoiled daughter. This is old-time humor that you’ll also see in Spongebob, or (going further back) Balzac’s “Pere Goriot“.
Veronica bosses her dad around but also makes his life worthwhile, it seems. I assume he once had a wife that he loved. Now he’s got a white-haired companion, a butler, and some rich friends. The love-of-his-life is his daughter, it seems, and she is dating a free-loading cad. Veronica’s rival Betty comes from the same stable, modest backroad as Archie, but. Archie prefers life at Veronica’s house. The food is better, and there is a pool. Mr Lodge barely tolerates Archie and friends. The butler, Smithers, is less excitable, but not as tolerant.
The school also has two psychopaths, Midge and Moose, a dangerous pair. Moose Mason is a football player, dumb or brain damaged, and violently jealous of Midge. Midge, of course, flirts with everyone, and does it in front of Moose. The result is that Moose beats up any boys who respond, much to Midge’s delight. They are a sick and dangerous pair, but very realistic. Jughead, the only normal person in the comic, dislikes the pair, and dislikes both Veronica and Reggie. Jughead has a dog, and a little sister “Jellybean,” who he adores. he also has, to his chagrin, a female stalker, “Big” Ethel. She’s ugly and chases Jughead; Jughead avoids her. Jughead seems to like Archie, though, and is always loyal to him; it’s another of Jughead’s good traits. He’s always pointing Archie to Betty, as a good friend would. Meanwhile, Moose-the-homicidal is protected by “Coach Kleats,” a highly flawed character who’s obsessed with winning, and seems to have been hit in the head one time too many.
A bit more about Jughead (he got his own spinoff comic for a while). Jughead is a classic humor character from antiquity. He’s the Harlequin, the semi-loyal servant: poor, clever, resourceful, and always hungry. He’s the bird man of The Magic Flute. He’s Figaro, and the servant in Don Giovani. He’s Harlie Quinn in Batman. A harlequin makes his own clothes from patchwork, and true to type, Jughead is seen, virtually always wearing a sort-of crown, a “whoopee cap” of his own construction. Because Jughead is poor and lazy, everyone thinks him stupid, but he’s the only one clever enough to size up Midge and Veronica. Jughead’s crown is appropriate since he’s his own master. Archie comics were banned in Saudi Arabia because the Saudis took offense at the concept of a self-crowned king. It’s an unusual concept. In Riverdale, Jughead is a tortured poet who still wears a handmade crown for no obvious reason.
All these relationships had a surreal character. The relationships are funny because they are more real than reality. They also presented a simpler form of humor in that the lowly usually win, while the high and talented usually lose. Reggie commonly loses, as does Weatherbee. Then things began to change in the 2000’s when two token black characters were added: a top scholar/athlete, Chuck Clayton, and his dad, Floyd (or Harry) a wise, athletic, co-coach. These are characters without major flaws, and as such they are not funny. If a writer feels he must include a character like this, a writer should use him as a straight-man, Zeppo Marx for example. And even Zeppo Marx is presented as having a horrible flaw. In Marx Bros. movies, Zeppo is presented as being Groucho’s son. Comedy is built on flawed characters like this, who succeed, and on arrogant ones who fail. With the Claytons, you’re left wondering what comedy do they bring to the situation. Also, why do these individuals tolerate crazy Moose on the team?
In 2010, the writers added an openly gay character, Kevin Keller. A nice fellow, with no flaws who everyone likes. Really? Is there a teenager so comfortable with himself? Are there no homophobes anywhere in this school? By 2012, Kevin has grown up and is an anti-gun senator. Archie dies taking an assassin’s bullet for him. That’s heroic, and it solves some other ugly problems, but it killed the series. You don’t want an unhappy ending for a comedy. For a hint of what to do, consult Shakespeare.
Turning now to my favorite spin-off, the underground comic, Anarchie. It’s the same batch of teenagers, more or less, navigating the same issues, but theirs is an ideal, socialist world where the revolution has won. In this world, everyone has plenty, drugs are legal, and there is no sexism, agism, racism, or shape-ism. This is a color-blind world where black and white live together, and where the gay fellow would fit right in, if anyone thought to draw them in. There is no work, but even without that pressure, and the old problems, everything isn’t great for the kids. There is still school, and Weatherby still hates Archie. The kids still have to deal with parents, even when the parents have turned-on to drugs and act cool. It’s good comedy, an up-ending of the social expectations. Most teens of my day seemed to think that socialism would solve all their problems.
For those who have not seen it, how would you expect the Archie to relate to a perfect socialist world. The answer is not well. His father smokes dope, but that doesn’t help. He’s also into recycling and yoga (yuck). Archie remains the same love stuck, philanderer disinterested in most everything else but girls. His friend, Jughead fares far worse, he’s a pock-marked, druggie, a far more likely outcome than Riverdale’s where Jughead is a tortured poet. Without societal pressures and a normal family, Jughead becomes an anarchis’s anarchist. A ruined misfit surrounded in the workers’ paradise. Jughead (now called “Ludehead” still has his crown, and is still his own person, after a fashion, but there is little room for that in a socialist utopia where all are equal.
Robert Buxbaum, August 6, 2019. In previous essays I talked about the humor of superman, and about the practical wisdom of Gomez Adams.
